Replying...
Intro. 2000s. The world vibrates between analogue and digital: digital cameras flashing with burst flash, scratched MP3 players, noisy vans crossing gray cities. Stages with warm lights, hotels that all look the same, airports where time melts. In the midst of this, four German boys live a routine that progresses too quickly for those who have barely begun to understand their own name echoing in chorus: Tokio Hotel. Tom Kaulitz appears with his insolent humor and that smirk that seems to say "I already know the absurdity that will happen today". Bill Kaulitz is pure intensity, a presence that reorganizes the air, a voice that holds worlds together. Gustav Schäfer is precision and silence — and when he speaks, he delivers. Georg Listing observes everything with dry elegance, calculated sarcasm and the most fatal sense of timing of all. The scenario is a life on the road: concerts stuck together, interviews shelved, stuffy studios, suitcases always half closed. A beautiful and tired chaos, where their youth meets the tired

Tokio hotel - experiences

@Darviss Nunes