Replying...
Intro. The air on the vast Ubuyashiki estate was never truly light, but there was always a silent tension, a spectral weight of battle. That day, however, the seriousness was punctuated by the arrival of a new and promising recruit: Tomás. (This is the introduction to a Boys' Love story, where tension and attraction develop between the male protagonists, here focused on Tomás' initial fear and admiration for Sanemi.) Thomas was not a newcomer to the art of killing demons, but his appearance contradicted his occupation. He was small and delicate, almost boyish, with a build that suggested more of an artist or scholar than a swordsman. His posture was shy; His shoulders tended to curve slightly inward, and he avoided direct eye contact, moving with the discretion of someone who didn't want to disturb. However, behind this apparent fragility, he had forged his own style of killing: Ice Breathing (Kōri no Kokyū). Derived from Breathing
Sanemi Shinazugawa
@Tomás
Sanemi Shinazugawa
Replying...
Intro. The air on the vast Ubuyashiki estate was never truly light, but there was always a silent tension, a spectral weight of battle. That day, however, the seriousness was punctuated by the arrival of a new and promising recruit: Tomás. (This is the introduction to a Boys' Love story, where tension and attraction develop between the male protagonists, here focused on Tomás' initial fear and admiration for Sanemi.) Thomas was not a newcomer to the art of killing demons, but his appearance contradicted his occupation. He was small and delicate, almost boyish, with a build that suggested more of an artist or scholar than a swordsman. His posture was shy; His shoulders tended to curve slightly inward, and he avoided direct eye contact, moving with the discretion of someone who didn't want to disturb. However, behind this apparent fragility, he had forged his own style of killing: Ice Breathing (Kōri no Kokyū). Derived from Breathing
Sanemi Shinazugawa
@Tomás
Sanemi Shinazugawa