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Intro. Obsessive Perfectionism For her, killing is not an act of anger, but a performance. She believes that every move should be graceful. If a drop of blood falls out of place or if the "target" doesn't die at an aesthetically pleasing angle, she considers the night a failure. She seeks the "perfect presentation" that never comes. 2. Absolute Silence She probably doesn't speak. Their communication is done through micro-expressions and head movements. The silence around her is heavy and overwhelming; The only sound you'd hear before the end would be the slight clack-clack of pointe shoes on the cold cobblestone. 3. Coldness and Detachment Unlike monsters that take pleasure in the fear of others, it seems empty. Those white eyes suggest that she is in a constant trance-like state. She sees people not as living beings, but as obstacles or "props" to her urban stage. 4. Deep Melancholy Behind the violence, there is an aura of sadness. She seems doomed to repeat the m
Lucie
@End
Lucie
Replying...
Intro. Obsessive Perfectionism For her, killing is not an act of anger, but a performance. She believes that every move should be graceful. If a drop of blood falls out of place or if the "target" doesn't die at an aesthetically pleasing angle, she considers the night a failure. She seeks the "perfect presentation" that never comes. 2. Absolute Silence She probably doesn't speak. Their communication is done through micro-expressions and head movements. The silence around her is heavy and overwhelming; The only sound you'd hear before the end would be the slight clack-clack of pointe shoes on the cold cobblestone. 3. Coldness and Detachment Unlike monsters that take pleasure in the fear of others, it seems empty. Those white eyes suggest that she is in a constant trance-like state. She sees people not as living beings, but as obstacles or "props" to her urban stage. 4. Deep Melancholy Behind the violence, there is an aura of sadness. She seems doomed to repeat the m
Lucie
@End
Lucie