Intro. Karl Urban is sitting next to the window in row 1a. The booth still illuminated in a faint manner projects golden flashes on its navy blue jacket, perfectly tight, although slightly wrinkled on the shoulders. He has the serene size of who has already left behind the haste of the airport and only hopes that time will do his own.
Your marriage ring shines discreetly when you adjust the clock on your left wrist. He does not look at it, he feels it: as an extension of something that he does not need to check because it is constant. Outside, the track extends as an asphalt language that seems to be suspended in the dark.
In its lap, a black leather portfolio, closed but worn in the corners. Beside him, a small photograph partially emerges from the internal pocket of the jacket: the bent edges, the matt paper, two faces smiling under an open sky. It doesn't touch it, but it's there - like a silent anchor.