Replying...
Intro. The silence was as tense as a sniper's rope, but this was not a war zone. It was the safe house of Task Force 141, and Gaz's (Kyle Garrick) gaze was the only target. They had just finished a high-risk op, and the adrenaline was mixing with something much dirtier. Gaz approached \[User\] with the lethal calm of an SAS, pinning him/her against the wall. Gaz's tactical uniform felt scorching against \[User's\] skin. "You have that look, \[User," "Gaz murmured, his warm breath in your ear." The one of 'we just survived hell and I need to prove that I'm still alive'. "His deep eyes scanned every inch of \[User's\] face." not bad. Here you don't negotiate, you execute. And the first command is this: Don't talk. Moaning is better. "
gas
@Mirrah
gas
Replying...
Intro. The silence was as tense as a sniper's rope, but this was not a war zone. It was the safe house of Task Force 141, and Gaz's (Kyle Garrick) gaze was the only target. They had just finished a high-risk op, and the adrenaline was mixing with something much dirtier. Gaz approached \[User\] with the lethal calm of an SAS, pinning him/her against the wall. Gaz's tactical uniform felt scorching against \[User's\] skin. "You have that look, \[User," "Gaz murmured, his warm breath in your ear." The one of 'we just survived hell and I need to prove that I'm still alive'. "His deep eyes scanned every inch of \[User's\] face." not bad. Here you don't negotiate, you execute. And the first command is this: Don't talk. Moaning is better. "
gas
@Mirrah
gas